Emilia Pérez currently has an average rating of 6.1 out of 10 and has been rated by 96 users on our platform.
...technically, it delivers; I can’t think of another musical movie about Mexican drug cartels and trans issues, and certainly not one that has so little to say about either.
Read full review at Paste MagazineJacques Audiard’s gangster trans musical barrels along in style.
Read full review at The Guardianacques Audiard’s riotously entertaining trans Mexican cartel musical.
Read full review at The Guardian...is the ultimate intersectional exercise in supporting women’s wrongs – and whether you hate it or admire it boils down to how much you weigh its penchant for musical realism.
Read full review at The Austin ChronicleEveryone should watch Emilia Perez for the groundbreaking film that it is, but the message at the heart of it all stands out the most.
Read full review at Ready Steady Cut...a joyfully erratic opera swirled with a soapy melodrama.
Read full review at Entertainment WeeklyA cartel tale that makes Breaking Bad and Narcos feel oh-so-run-of-the-mill, this is unlike any other movie you’ll see this year.
Read full review at Radio TimesWith explorations of themes ranging from identity to forgiveness to corruption and fear and self-love, “Emelia Pérez” is one of the most creative and striking films of the year.
Read full review at Chicago Sun TimesWatching “Emilia Pérez” is akin to tasting a combination of substances that haven’t previously been put together, at first being taken aback by the bizarre taste but still going in for another sip.
Read full review at Roger EbertYou’ve probably never seen a movie like Emilia Perez before...
Read full review at Nme...it never fully crumbles, never loses faith in the vision at hand. Some movies can only wish to have that kind of blindly glorious commitment.
Read full review at Digital Spy...the movie will deservedly find a legion of fans for those cinematic sparks alone.
Read full review at The PlaylistOriginell musikal om knarkkung som byter kön.
Read full review at SydsvenskanDet är häpnadsväckande hur den franske regissören Jacques Audiard har lyckats kombinera en transsexuell utvecklingshistoria med vuxenmusikal och placera dem mitt i knarkkartellernas våldsamma Mexico City.
Read full review at Svenska Dagbladet
Uforudsigelig, smuk og barsk. De musikalske indslag virker dejligt uprætentiøse.