Women of the Movement heeft momenteel een beoordeling van 7.3 uit de 10 en is beoordeeld door 7 gebruikers op ons platform.
...brought to life by Adrienne Warren's profound performance as Mamie Till-Mobley, and shows a mother devoted to living life for her child, even after his death.
Lees volledige recensie op Common Sense Media...it recounts an infuriating key moment in US history with a compelling amount of compassion and historical accuracy...
Lees volledige recensie op Roger Ebert...powerfully portrays the inspiring story of Emmett Till’s mother.
Lees volledige recensie op Chicago Sun-Times...provocatively explores a chapter of American history most don’t know enough about with sensitivity, faithfulness and care not to exploit trauma.
Lees volledige recensie op The Guardian...brought to life by Adrienne Warren's profound performance as Mamie Till-Mobley, and shows a mother devoted to living life for her child, even after his death.
Lees volledige recensie op Common Sense Media...it recounts an infuriating key moment in US history with a compelling amount of compassion and historical accuracy...
Lees volledige recensie op Roger Ebert...powerfully portrays the inspiring story of Emmett Till’s mother.
Lees volledige recensie op Chicago Sun Times...brought to life by Adrienne Warren's profound performance as Mamie Till-Mobley, and shows a mother devoted to living life for her child, even after his death.
Lees volledige recensie op Common Sense Media...provocatively explores a chapter of American history most don’t know enough about with sensitivity, faithfulness and care not to exploit trauma.
Lees volledige recensie op The Guardian...it recounts an infuriating key moment in US history with a compelling amount of compassion and historical accuracy...
Lees volledige recensie op Roger Ebert...powerfully portrays the inspiring story of Emmett Till’s mother.
Lees volledige recensie op Chicago Sun-Times...provocatively explores a chapter of American history most don’t know enough about with sensitivity, faithfulness and care not to exploit trauma.
Lees volledige recensie op The Guardian