Woman of the Hour currently has an average rating of 7.2 out of 10 and has been rated by 79 users on our platform.
Anna Kendrick's directorial debut dissects the social circumstances behind The Dating Game serial killer.
Read full review at The A.V. Club...a consistently chilling story, made all the more terrifying because we know it’s true.
Read full review at Chicago Sun TimesIt's tacky and tries to shock for the sake of it. It jumps between too many characters ignoring the interesting ones too much to concentrate on the dating bit. It's just a grim watch that makes you feel bleugh. Which is fine if it was cl...
...Self-Assured and Familiar Serial Killer Drama
Read full review at Paste Magazine...compelling the longer it sits with you — less engrossing than a schlocky genre film, and perhaps slightly more anticlimactic as a result, but you never doubt its intelligence.
Read full review at EmpireKendrick's directorial debut shows great potential in her ability to blend moods, her sense of pacing to build suspense, and her visual eye for what to put in frame--and what to leave out.
Read full review at Common Sense MediaSnappily edited, it zips along a brisk 94 mins. It doesn't need any longer to make its points, and leave a lasting impact.
Read full review at GamesradarThe Alcala case and its gross mishandling acts as a sadly timeless example of what happens when only certain alarm bells are listened to and only certain people ringing them are believed.
Read full review at The GuardianJeg afskyr normalt true crime, fordi private traumer gøres til underholdning, men 'Woman of the Hour' har nærmest karakter af public service ud over, at det er en velsmurt thriller.
Read full review at Filmmagasinet EkkoDen kan säkert uppfattas som överdriven av de som inte själva upplevt någonting liknande. Men vänta till eftertexterna för lite extra kontext.
Read full review at Sveriges Television...proffsigt regisserad och fotograferad, välspelad och har en tajt klippning som håller intresset uppe.
Read full review at SydsvenskanEn seriemördarfilm av klart annorlunda snitt, och det är en imponerande regidebut av Anna Kendrick, där hon framför allt har fångat miljöerna och tidskänslan på ett väldigt snyggt sätt. Problemet är att de två parallella historierna just känns parallell...

...krypande, olidligt spännande.
Read full review at KulturbloggenEn pärla för true crime-entusiaster.
Read full review at Aftonbladet