Mickey 17 currently has an average rating of 7.1 out of 10 and has been rated by 72 users on our platform.
This kooky curio is well worth seeking out.
Read full review at The Austin ChronicleRobert Pattinson and Robert Pattinson star in Bong Joon Ho’s best english-language film so far.
Read full review at The Austin ChronicleParasite director's frantic follow-up is an anti-fascist farce.
Read full review at The Austin ChronicleRobert Pattinson delivers a terrific dual performance.
Read full review at The Austin Chronicle...if a movie about alien isopod tornadoes and clone threesomes can teach us anything at all, it’s that what fascists fear most is being shown how ridiculous they are above all else.
Read full review at The Austin ChronicleBong Joon-ho's best English movie to date and arguably Robert Pattinson's best movie ever.
Read full review at The Austin ChronicleCompelling in its nihilism... A deeply depressing comedic experience (thanks at least in part to accidental political timing)... ...presents a Trump-like villain and no worthy heroes, resulting in a farcical sci-fi adventure...
Read full review at The Austin ChronicleRobert Pattinson is a hangdog delight in this enjoyably mad sci-fi confection.
Read full review at The Austin Chronicle...an entertaining, well crafted ride.
Read full review at The Austin ChronicleThe hard-sci-fi concept of human printing is a clever device, and director Bong delves into what makes Mickey human, and what qualifies as humane.
Read full review at The Austin Chronicle“Can I please kill you, I’m your friend”
Can we please have more Robert Pattinsons!
...gross and heartwarming in equal measure.
Read full review at The Austin ChronicleRobert Pattinson proves expendable in Bong Joon-ho’s eerily cheery cloning drama.
Read full review at The Austin ChronicleRobert Pattinson sees double in Bong Joon-ho's bonkers sci-fi tale.
Read full review at The Austin ChroniclePattinson is fully committed to the performance – performances – and his impact subtly evolves from giggling to genuinely moving.
Read full review at The Austin Chronicle