Killers of the Flower Moon currently has an average rating of 7.6 out of 10 and has been rated by 2558 users on our platform.
...may not be a traditional gangster picture, but it's completely in tune with the stories of corrupt, violent men that Scorsese has explored for a half-century.
Read full review at Roger EbertThere’s a perennial fascination in the films of Martin Scorsese with the notion of power – the structures of it, the layers to it, the flow of it.
Read full review at The GuardianMartin Scorsese's uniquely American tragedy.
Read full review at The A.V. ClubMonumental stuff: a story about the deadly legacy of America’s colonial sins, both vast and intimate in scope. Exceptional filmmaking, by an exceptional filmmaker.
Read full review at EmpireThis is a must watch. I watched Oppenheimer 3 times in theatres and might as well do the same with this one. The level of acting in this is at a whole other level.
Martin Scorsese’s masterful American tragedy.
Read full review at Slant MagazineScorsese has outdone himself with this extravagant Western about the Osage Indian murders, with DiCaprio and De Niro on terrific form.
Read full review at The Telegraph...as brutal as they come. It spans dozens of murders over several years, across a herculean 206 minutes that allow you to dwell on its brutality in a way few movies ever do.
Read full review at IgnIn his 80th year, Martin Scorsese remains a master of craft and storytelling...
Read full review at Paste Magazine...an utterly absorbing film, a story that Scorsese sees as a secret history of American power, a hidden violence epidemic polluting the water table of humanity.
Read full review at The GuardianScorsese's multi-layered epic is worth every second.
Read full review at GamesradarThis is filmmaking. And I was so caught up in it that the 206 minutes flew by. Both De Niro's character and his performance are up there with his very best, and I think this may actually even be my new favorite Scorsese movie!
It is, in a strange way, a rueful, elegiac sister film to 2010’s lude-powered bacchanal, The Wolf of Wall Street, in that it offers a stinging critique of capitalist exploitation that’s operating at a sociopathic level...
Read full review at Little White Lies