Hail, Caesar! currently has an average rating of 6.3 out of 10 and has been rated by 79 users on our platform.
...turns Hail, Caesar! into a grab-bag of ideas in various stages of formation, full of dead ends and seemingly pointless sequences, peppered with out-of-nowhere narration...
Read full review at The A.V. ClubYou can miss or ignore so many of these details and still enjoy the exquisite clockwork mechanism of the movie's plot...
Read full review at Roger Ebert...it’s easily the most Coen-y Coen movie they’ve put out. But then, they are stealing from the best.
Read full review at EmpireHail, Caesar! is a lot of fun, and beautifully crafted, too. One to savour.
Read full review at The Guardian...at its best during its genuinely dazzling riffs on classic MGM set-pieces.
Read full review at The Austin Chronicle...skilfully handled, thrilling and often hilarious.
Read full review at Radio TimesThe Coen brothers return in scintillating and provocative form with this complex satire of 1950s Hollywood.
Read full review at Little White LiesFortidens store idéer fordrejet gennem Coen-brødrenes nostalgiske kalejdoskop. Filmhistorie og komisk pastiche.
Read full review at SoundvenueHil Cæsar! er brødrenes ubetingede kærlighedserklæring til Hollywood i 50’erne – som altid med ironi og humor. Her boltrer de sig i filmstiløvelser. En kalejdoskopisk overflod af tableauer fra nostalgiens farverige arkiv.
Read full review at CinemazoneDen här gången nöjer sig bröderna Coen med att ge oss inblickar i hur det kunde se ut och gå till i drömfabriken för drygt 60 år sedan. För min del räcker det gott så.
Read full review at Göteborgs-Posten...sublima miljöer, färgstarka porträtt och mycket humor.
Read full review at MoviezineFör den filmintresserade är Hail Caesar! en given komedi att se. Filmen är fullproppad med referenser och ju mer du vet om efterkrigstidens Hollywood, desto roligare är det.
Read full review at FilmtoppCoen-brødrenes sjovt ironiske hyldest til svundne Hollywood er lidt af en trosbekendelse.
Read full review at Filmmagasinet Ekko