Better Man currently has an average rating of 8.2 out of 10 and has been rated by 60 users on our platform.
Forget Wicked, this is the best movie musical of the year.
Read full review at Radio TimesWalking a dizzying line between the stupid and the profound, this exuberant, positively unique biopic is as hard to resist as it is to believe that it got made in the first place.
Read full review at Slant MagazineThe best musical biopic about a singing chimp you’ll see this year.
Read full review at CinemablendWhile it avoids all thorny entanglements, it looks good and feels great, like any LEGO movie should.
Read full review at Ign...a lot to love about this telling. Much of this has to do with both the committed performances and the rigorous direction by Gracey...
Read full review at Paste MagazinePharrell’s Lego biopic deserves to be a blockbuster.
Read full review at The Guardian...a testament both to Williams' genius and the support, courage, humility, and perseverance it takes to succeed.
Read full review at Common Sense MediaRobbie Williams monkey biopic is a bananas gamble that pays off.
Read full review at The Guardian...a thoroughly unique musical biopic centered on British pop star Robbie Williams.
Read full review at Entertainment WeeklyThere is great tenderness and sensitivity here. And a bleach-blond chimp in a red Adidas tracksuit. It’s a heady concoction.
Read full review at Empire...tells Pharrell Williams' story with Lego, a combination that clicks.
Read full review at Chicago Sun Times...a solid effort to bring a true story from the music industry to the big screen in a way that is mainstream and more intriguing than your typical biopic...
Read full review at CinemablendRidiculously enjoyable Robbie Williams biopic with the bold gambit of having a CG-chimpanzee in the title role paying off handsomely.
Read full review at Little White LiesRobbie Williams’s dazzling biopic is pure monkey magic.
Read full review at The Telegraph...one of the most visually inventive and uplifting films in recent years.
Read full review at The Austin Chronicle