Megalopolis

At 85, this could be Coppola’s final film, a swan song on a historic career. It is astonishing that he seems to have more drive than ever.

If this is to be Coppola’s last movie, he goes out as a true artist who pursued his vision – rather like Driver’s Cesar – to the very end.

...if you meet it with any kind of goodwill, you may see in its unabashed rejection of nihilism, defiant unorthodoxy, and complete lack of artistic insecurity exactly the kind of challenge cinema needs right now.

...scintillating, absurd and violently original.

This retro-futurist metropolis, a hybrid of Roman antiquity and art deco New York inspired by H.G. Wells and Fritz Lang, is rendered in chintzy digital vistas awash in dictatorial gold.

...if Megalopolis, as many speculate, marks the end of Coppola’s career as a filmmaker, it flourishes in that finality, having held back or compromised nothing. It’s a film that operates without limits...