Drop - Kritiken

...is ultimately a nice movie about an abuse survivor being terrorized by seemingly omniscient forces, loaded with moments that don’t really hold up to scrutiny and well-sold by Fahy’s performance.

Meghann Fahy and Brandon Sklenar star in a delightful thriller in the vein of Hitchcock at his glossiest.

It can be so refreshing to see an efficient thrill ride of a movie, a flick that knows what it wants to do and doesn’t waste time doing it.

...works best in its nimblest moments, but ultimately we should have nothing but gratitude for a movie that has almost zero bloat and tells an effective, original story in 90 minutes...

The tension is well-earned and, although at times you have to try not to think too hard, you can’t wait to see what happens next.

...a tightly plotted and unpretentious thrill ride.

...a mild swipe right, maybe worth chatting with as a backup in case your main sidepiece doesn’t show up.

...a standout from White Lotus excels in tight first date thriller.

It’s the cinematic equivalent of fast food – cheap, easy, uncontroversial, disposable and readily available.

Landon and writers Jillian Jacobs and Chris Roach explore every wild extreme of the film’s digital hell, but it’s Fahy that finds the humanity of it all.

...a tense, entertainment-first experience that doesn’t skimp on emotional investment and payoff.

...this tightly constructed, neatly crafted thriller feels—despite its use of modern technology and surveillance—refreshingly old-fashioned.

...succeeds by blending classic thriller elements with modern tech paranoia, anchored by strong performances and sharp direction.

It's the kind of thriller that is made for a packed crowd on a Friday or Saturday night at the cinema.

...är ”Die hard” på en finrestaurang.