Santos criminales currently has an average rating of 6.3 out of 10 and has been rated by 83 users on our platform.
...atmospheric and compelling, with a performance from Alessandro Nivola that finds that sweet spot where male emotional vulnerability turns into toxicity.
Read full review at Ready Steady CutGo ahead, arrange a sitdown: This darkly funny and ultra-violent film perfectly depicts the 1960s times and voices that shaped Tony into a made man.
Read full review at Chicago Sun-Times...gets the Italian mafia drama right with Dickie Moltisanti’s narrative at the forefront, led by a superb performance by Alessandro Nivola.
Read full review at Ign...offers an alluring glimpse into Tony Soprano’s birth under a bad sign...
Read full review at The Austin Chronicle...digs into the lives of all-new characters, who fortunately make for compelling company.
Read full review at Empire...key to the film’s success is how deftly it establishes the world of explosive violence and easy money to which he will ultimately be swayed.
Read full review at Gamesradar...for a hundred-something minutes, it feels close enough to coming home again.
Read full review at Entertainment Weekly...for all the ugliness of attitudes and hair-trigger violence, it’s a thrilling, seedily glamorous world to visit.
Read full review at The GuardianYoung Tony is portrayed with goosebump-inducing deja vu by Michael Gandolfini, son of the late James Gandolfini...
Read full review at The GuardianCasting Vera Farmiga as Tony’s bitter-from-birth mother (...) is the film’s master stroke.
Read full review at Movie NationHela filmen är en tillbakablick till 60-talets New Jersey. Den framtida maffiabossen Tony Soprano är tonåring och spelas med ett charmigt flin av den framlidne James Gandolfinis son.
Read full review at Svt KulturnyheternaEn film, der først og fremmest vil give fansene det, de vil have.
Read full review at PolitikenTråkig. Inte spännande alls.
Sinewy and smart, it’s a rich imaginative leap into the pre-history of an iconic show, and a rare instance of the big screen doing right by the small.
Read full review at The Telegraph