¿Por qué no jugamos en el infierno?

From sudden zooms and abrupt freeze frames to lengthy tracking shots, slow-motion, and CG-enhanced fantasy interludes...boasts an aesthetic insanity to match its uninhibited narrative.

...a characteristically slippery mix of naive optimism, and gross-out, midnight-movie humor. It has the dense, novelistic structure of Sono's most elaborate scenarios...

You’ll laugh, you’ll cry, you may even shout “What the fuck?!” more than once, but you’ll almost certainly want to watch Sono’s entire filmography, like, right now, man.